VETIVER - UP ON HIGH [ADVANCE TRACKS] - MAMA BIRD

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“Much has been made surrounding the origins of the ‘freak-folk’ movement, for which Vetiver – the songwriting vessel of Bay-Area native Andy Cabic – has often been accredited. And while certainly an important snapshot in time, to look upon Cabic’s body of work solely through that narrow lens serves the listener a disservice. On Complete Strangers, his sixth studio album since 2004, it’s obvious Cabic has grown immensely attuned to his own capabilities. These, like so many Vetiver songs, have a long-lasting fortitude to them – they are old friends, the comforts of home and sound better with age.” 

- Aquarium Drunkard


“Addictive and Sweetly Soothing.” 

- NPR (WXPN) 


“Cabic makes the kind of music you get more deeply hooked into over time, listening as a once-familiar sound builds and expands, prompting you to realize that, somewhere along the way, you have maybe grown and discovered a little too.” 

- Vogue


“A true antidote to everything gauche, obvious and fucking boring about modern guitar music, Vetiver’s latest [Complete Strangers] is so slight as to possibly slip between the floorboards unnoticed; a partially photographed spectre. Rather, it should be caught between the thumb and forefinger, held up to the light, investigated and treasured.” 

- The Line of Best Fit


“Cabic's melodies are impeccably understated, and his leisurely lyrics set an undeniably easy-going mood.” 

- Pitchfork


Andy Cabic’s musical being is, like many curious 21st century musicians, shaped and sustained by divergent tangents. If he’s not crafting a melancholy folk-rock diamond in his Northern California studio, he’s moving a dance floor with bossa nova and house DJ sets, or helping curate a compilation of Japanese City Pop.  


What’s magic about the new Vetiver LP Up On High is the way these tangents color the ten songs without undermining a distinct move to more elemental, spacious and natural arrangements. At the heart of each of these ten songs is Cabic’s voice: sweet, tender and weathered—a welcome and soothing old friend if ever there was one. There are other familiar friends: the album also features longtime engineer and collaborator Thom Monahan and the same resourceful and versatile band that helped Cabic make the denser and more layered Complete Strangers from 2015. 


Up On High was written on acoustic guitar. Having moved twice since Complete Strangers, increasingly accustomed to a life in and out of boxes, it was the easiest instrument to reach for in moments of inspiration. The basic tracking of the album took place over a few Spring days at a friend’s house in the high desert of California. This simple set-up captured the organic immediacy of a roomful of friends playing together on the floor. It’s alive and ever so subtly crackling with the intensity of a band working together, teasing out the melody and rhythms of songs with warmth and intimacy. Cabic and Monahan took the fruits of this session to Los Angeles and finished the album at Monahan’s studio over the summer as other friends popped by to lend their talents. 


This album reflects the world that Cabic created and lives in: Jorge Ben phrasings peek out from behind Tom Petty's Wildflowers outtakes, a gentle jangle lifts whispers of REM’s Murmur on a breeze up from Compass Point Studios. But Up On High is most clearly Cabic and his band inhabiting the realm the band was born in—sleek, economical, soulful, and sometimes sadness-tinged melodies riding on the gentle choogle and sway of an ensemble moving in beautiful unison. This is an album that breathes with you in real, lived in, natural time.