Lindstrom - It's Alright Between Us As It Is - Smalltown Supersound


TRY:  #8, #4, #2, #6


Facebook / Website / Twitter

Fourth - and best - solo album from the disco don"

-8/10, Uncut Magazine


"Back on track with bubbling beats, jazz piano and goth feather"

-4/5, The Guardian


"Twisted dark disco"

-4/5, MOJO


"Norwegian disco viking still has all the best moves"

- 4/5, Q Magazine


"File Under: Melodic Grandeur"

-8/10 Mixmag


"Gothic disco of the highest caliber"

- Pitchfork on "Bungl (Like A Ghost)" feat. Jenny Hval


"More long and futuristic cuts from the Norwegian producer who can make Daft Punk and Terry Riley fans dance into the afters."

- New York Magazine on "Shinin" 


"'Shinin' is filled with a captivating melange of synths and a shuffling drum beat. Hall's rich croon matches the track's cosmic vibes though her lyrics about hanging at the park with a new flame help ground 'Shinin' in the real."

- Rolling Stone


"[Lindstrøm & Hall's] partnership is capable of creating moments of genuine inspiration; at one point near the track's final stretch, they weave in a sort of ululating vocal loop that sounds like Hall singing an arpeggiation. . .  set against the backdrop of Lindstrøm's sheeny production, it totally works, and injects just the right amount of weirdness into this otherwise crystalline track."

-- Pitchfork on "Shinin"


On Hans-Peter Lindstrøm's latest album, those northern disco lights are twinkling once more. Over the continuous stream of nine interlocked tracks on It's Alright Between Us As It Is, he's refined his love of arpeggiated synths, warm and steamy analogue bubble baths and earworm melodies into his most rounded and complete statement to date.

A Norwegian based in Oslo, Lindstrøm has always made a virtue of his obsessive work ethic, turning his city centre studio (where his neighbours include friends and collaborators Prins Thomas, Todd Terje and Andre Bratten) into a factory floor for churning out monster tracks, then punching out regularly and going home to his family. This is about music being woven seamlessly into the fabric of life.

The album's title is a direct quote from one of Lindstrøm's favourite movies, Ingmar Bergman'sWild Strawberries. This Swedish arthouse classic is about looking for meaning and finding closure at the end of a long life. About reaching the special place you've waited for all your life. A professor asks his longtime housemaid if they could become more familiar, starting with her brushing his teeth for him. She replies they shouldn't become too intimate: "it's all right between us as it is."

The album aggregates all the best elements from his long and varied career: the Balearic free-disco excursions of his two albums with Prins Thomas, experimental cosmic voyages in the vein of Six Cups of Rebel and 2015's collaboration with the stellar Todd Rundgren, Runddans; shimmering electronic pop featuring vocals by American singer Grace Hall ("Shinin") and Sweden's Frida Sundemo ("Sorry"). "Bungl (Like a Ghost)" features a stream of conscious poem by transgressive Norwegian vocalist Jenny Hval. Most of all it reveals him as a masterful mood sculptor, with heart-stoppingchord changes rolling over his relentlessly uplifting beats.

Conceived as a continuous flow, each side of the vinyl version will play as one track; while the CD and streaming versions will be timestamped. But in any case, once you're strapped into Lindstrøm's driverless vehicle, you won't want to get out. It's all right as it is. In fact, it's more than all right: it's almost nearly perfect.