"her best yet — a collection of hushed reveries that unspool like daydreams."
- Pitchfork - Best New Music
"her most thorough statement yet, an incandescent body of work .."
- The Fader
"The experience of listening to Quiet Signs is akin to eavesdropping on the studio as Pratt plays to an empty room while a ray of light shines through a window. No sound on the brief 28-minute album is wasted ... it swirls by in a dreamlike haze"
- Consequence of Sound
"In under 30 minutes and in just nine songs, Pratt produces a warm, bewitching alternate dimension … if you take a moment to find a quiet space and just sit with this record’s hollow parts, embracing them for the condensed elements they are, you might just find your own slice of heaven."
The title of “Opening Night,” the introductory song on Quiet Signs, Jessica Pratt’s third album, is a reference to Gena Rowlands‘ harrowing, haunted performance in the John Cassavetes film of the same name. It’s also an emblem of where this spare, mysterious collection of songs falls in the course of Pratt’s career. “On some level I considered an audience while making the last record,” she writes, “but my creative world was still very private then and I analyzed the process less. This was the first time I approached writing with the idea of a cohesive record in mind.”
After a collection of demos and early studio recordings (Jessica Pratt, Birth, 2012) earned her a small, dedicated audience, Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom in a matter of months. That album, On Your Own Love Again (Drag City, 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time.
Her first album fully recorded in a professional studio setting, Pratt’s songwriting and accompanying guitar work are refined on Quiet Signs, more distinct and direct. Songs like “Fare Thee Well” and “Poly Blue” retain glimmers of OYOLA‘s hazy day afternoon spells, yet delicate flute, strings sustained by organ arrangements, and rehearsal room piano now gesture towards the lush chamber pop and longing of The Left Banke. On the album’s first single, “This Time Around,” Pratt hits on a profound, late-night clarity over just a couple of deep chords, evoking Caetano Veloso‘s casual seaside brilliance. And before the curtain drops Quiet Signs, Pratt provides a show-stopping closer, “Aeroplane.”
In the world of Quiet Signs, the black of night usually represents fear, despair, resignation; finally at home descending towards the illuminated city, she sings over black leather drone and tambourine shuffle with a newfound resolve. Quiet Signs is the journey of an artist emerging from the darkened wings, growing comfortable as a solitary figure on a sprawling stage.
The album was written in Los Angeles and recorded at Gary’s Electric in Brooklyn, NY over 2017 and 2018. It was co-produced by Al Carlson. He plays flute, organ and piano on some songs. Matt McDermott also played piano and string synthesizer. It will be released on Mexican Summer in the US and City Slang in Europe on February 8, 2019.
26 - Seattle, WA - Ballard Homestead
27 - Portland, OR - Doug Fir Lounge
30 - San Francisco, CA - The Chapel
01 - Big Sur, CA - Henry Miller Memorial Library
03 - Los Angeles, CA - Pico Union Project
09 - Minneapolis, MN - Cedar Cultural Center
10 - Chicago, IL - Sleeping Village
11 - Pittsburgh, PA - The Warhol
12 - Toronto, ON - The Garrison
13 - Montreal, QC - La Sala Rossa
15 - Boston, MA - Great Scott
16 - Philadelphia, PA - Boot & Saddle
17 - Washington, DC - Miracle Theatre
19 - Brooklyn, NY - Park Church Co-op