jessica pratt - quiet signs - mexican summer


TRY: #9, #5, #6, #3


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"her best yet — a collection of hushed reveries that unspool like daydreams." 

- Pitchfork - Best New Music

"Cosmic Brilliance" 


"her most thorough statement yet, an incandescent body of work .." 

- The Fader

"The experience of listening to Quiet Signs is akin to eavesdropping on the studio as Pratt plays to an empty room while a ray of light shines through a window. No sound on the brief 28-minute album is wasted ... it swirls by in a dreamlike haze" 

- Consequence of Sound

"In under 30 minutes and in just nine songs, Pratt produces a warm, bewitching alternate dimension … if you take a moment to find a quiet space and just sit with this record’s hollow parts, embracing them for the condensed elements they are, you might just find your own slice of heaven." 

- Paste


The title of “Opening Night,” the introductory song on Quiet Signs, Jessica Pratt’s third album, is a reference to Gena Rowlands‘ harrowing, haunted performance in the John Cassavetes film of the same name. It’s also an emblem of where this spare, mysterious collection of songs falls in the course of Pratt’s career. “On some level I considered an audience while making the last record,” she writes, “but my creative world was still very private then and I analyzed the process less. This was the first time I approached writing with the idea of a cohesive record in mind.”

After a collection of demos and early studio recordings (Jessica Pratt, Birth, 2012) earned her a small, dedicated audience, Pratt moved from San Francisco to Los Angeles and recorded her first intentional album in her bedroom in a matter of months. That album, On Your Own Love Again (Drag City, 2015), would bring her around the world many times, leading many to fall under the spell of Jessica Pratt the performer, the songwriter, the singer with the heavy-lidded voice that feels alien and familiar at the same time.

Her first album fully recorded in a professional studio setting, Pratt’s songwriting and accompanying guitar work are refined on Quiet Signs, more distinct and direct. Songs like “Fare Thee Well” and “Poly Blue” retain glimmers of OYOLA‘s hazy day afternoon spells, yet delicate flute, strings sustained by organ arrangements, and rehearsal room piano now gesture towards the lush chamber pop and longing of The Left Banke. On the album’s first single, “This Time Around,” Pratt hits on a profound, late-night clarity over just a couple of deep chords, evoking Caetano Veloso‘s casual seaside brilliance. And before the curtain drops Quiet Signs, Pratt provides a show-stopping closer, “Aeroplane.”

In the world of Quiet Signs, the black of night usually represents fear, despair, resignation; finally at home descending towards the illuminated city, she sings over black leather drone and tambourine shuffle with a newfound resolve. Quiet Signs is the journey of an artist emerging from the darkened wings, growing comfortable as a solitary figure on a sprawling stage.

The album was written in Los Angeles and recorded at Gary’s Electric in Brooklyn, NY over 2017 and 2018. It was co-produced by Al Carlson. He plays flute, organ and piano on some songs. Matt McDermott also played piano and string synthesizer. It will be released on Mexican Summer in the US and City Slang in Europe on February 8, 2019.




26 - Seattle, WA - Ballard Homestead

27 - Portland, OR - Doug Fir Lounge

30 - San Francisco, CA - The Chapel


01 - Big Sur, CA - Henry Miller Memorial Library

03 - Los Angeles, CA - Pico Union Project

09 - Minneapolis, MN - Cedar Cultural Center

10 - Chicago, IL - Sleeping Village

11 - Pittsburgh, PA - The Warhol

12 - Toronto, ON - The Garrison

13 - Montreal, QC - La Sala Rossa

15 - Boston, MA - Great Scott

16 - Philadelphia, PA - Boot & Saddle

17 - Washington, DC - Miracle Theatre

19 - Brooklyn, NY - Park Church Co-op